Τετάρτη 22 Ιουλίου 2020

N. N. N. 4-AT ART SCHOOL-′′ W. Kandinsky: FORMS AND COLORS ON THE FUTURE ′′

N. N. N. 4-AT ART SCHOOL-′′ W. Kandinsky: FORMS AND COLORS ON THE FUTURE ′′
To all our countrymen abroad and all over the world a reflection shared with a famous art lesson that expresses the texture of Wasily Kandinsky's artistic and pictorial genius.
Kandinsky is an Oriental firmly rooted in the West and is ′′ one of the greatest revolutionaries of vision ", according to the definition of André Breton, but also a ′′ Great Prince of the Spirit ′′ (Joan Mirò). And yet, despite these dualities, there is deep coherence between his work and his theoretical reflection.
The opinions of some artists and critics confirm this: Kandinsky is ′′ the first painter who has consciously set himself on the path of discovering art free from all servants in forms borrowed from nature that is offered to our eyes, thus making the invisible. É the first abstract painter ′′ (R. Soupault-Niemeyer, Centenaire de Kandinsky. Du cheval au cercle, ′′ XX siècle ", n. 27, December 1966, p. 34).
For Piero Dorazio: ′′ He becomes a painter to impose shapes and colors on the vision of the future, which is gray and without images. He is the first artist in history to complete the integration of two distant worlds: Europe and the East. He tries the synthesis of irreconcilable cultures and characters. Voila, the dream of Alexander the Great that changes direction; returns to us in cosmonaut painter estate, passing through Irkoutsk, Samarkand, Byzantium, Moscow, Monaco and Weimar. How many languages do you speak Mr. Kandinsky? How many languages can converge towards the same meaning, in a painted image?"
(P. Dorazio, The Creator of the XX century, ′′ XX century ", cit., p. 103).
Good night or what remains of the day in the world also made of admirable shapes and incomparable colors.
Maximus Roger
President of International Action Art - ITALIA
The opera:
Wasily Kandinsky
' 293 ', 1913
Massimo Ruggero

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