When the two inventors/scientists Serbian-American Nikola Tesla and American Thomas Edison began harnessing and transmitting electricity in the 1880’s, they paved the way for a myriad of possibilities for humanity; like electrifying and amplifying sound and eventually music.The first practical prominent device that could be amplified was the triode vacuum tube, invented in 1906 by Lee De Forest, which led to the first amplifiers around 1912. They would be eventually replaced by transistors half a century later.
𝐴𝑛𝑑 𝑡ℎ𝑒𝑛 𝑠𝑜𝑚𝑒𝑜𝑛𝑒 𝑑𝑟𝑒𝑎𝑚𝑡 𝑜𝑓 𝑝𝑙𝑢𝑔𝑔𝑖𝑛𝑔 𝑎 𝑔𝑢𝑖𝑡𝑎𝑟 𝑑𝑖𝑟𝑒𝑐𝑡𝑙𝑦 𝑖𝑛𝑡𝑜 𝑎𝑛 𝑎𝑚𝑝!
Imagine plugging into an electric guitar and strumming a thunderous power chord literally electrifying your audience with the passionate energy you put out. That is the power of the electric guitar!
𝗠𝘆 𝗼𝘄𝗻 𝗯𝗮𝗰𝗸𝗴𝗿𝗼𝘂𝗻𝗱 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗶𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁
My own connection to the instrument starts at around sixth grade. I fiddled with a junior acoustic guitar on the insistence of my father. His dad (my grandfather) was a famous bouzouki guitarist in the early 1900's in Piraeus, and he wanted me to take up the instrument, since I carried his name. I ended up picking up the Alto saxophone instead in Middle School and High School, excelling and competing in Symphony Band. I found the acoustic boring and annoying. And all that tuning you had to constantly do. See, the cheaper the model, the more these instruments get untuned on you making playing not fun.
In the summer of 1990 at the age of fifteen I worked with my dad in one of his hot dog push carts as a sort of first summer job. He had three and rented out the other two. It was fun working with him and a great bonding experience. I worked in Jamaica, Queens at first and later in midtown Manhattan. I wanted to raise money to get a proper electric guitar. I had caught the metal bug by then, Guns N' Roses, Iron Maiden, Scorpions etc.
Somewhere around junior year in High School I joined the Jazz Rock Band which was really a Hard Rock/Metal inspired outfit in disguise. They played Hendrix, Clapton and of course Nirvana and Guns N' Roses. The sax could only take me so far. I needed a guitar and amp fast to get the girls and of course create my own historical musical epics.
𝐻𝑜𝑡 𝑑𝑜𝑔𝑠 𝑎𝑛𝑑 𝑀𝑢𝑠𝑖𝑐 𝑅𝑜𝑤
Working that summer I discovered the famous musical instrument strip where Sam Ash and Manny's Guitars is on Avenue of the Americas (between 7th & 8th avenues) and W48th street. I worked the Hot Dog push cart up the block so everyday I would go out to hang out and try out guitars. I struck up a conversation with the manager and told her I wanted to buy a beginner’s electric guitar. She was really cool and helpful. She actually, to my surprise, went up to the attic and brought me down a beautiful white solid bodied axe (that is word lingo for guitar).
It was marked down from last Christmas and she gave me a super discount. I don't remember if it was like $100 or $250. It was practically free. And I didn't sell much hot dogs, sausages, knishes, or pretzels either that summer because I basically ate all the profits, so this was a heaven sent deal.
The guitar was unusual. It was a solid body beautiful white guitar as I stated earlier. A solid body means it was made from a single piece of wood, not two where the head and body are screwed together. So it was pretty and "sexy" too. It was an Epiphone by Gibson guitar model. I knew what a Gibson was but Epiphone sounded so Greek. I was always proud of it and it helped me create my first group called Phoenix, later Phoenix Reign. I always wondered what was behind the name. So here is the scoop behind my first obsession!
"𝐸𝑝𝑖𝑝ℎ𝑜𝑛𝑒 𝑎𝑙𝑤𝑎𝑦𝑠 𝑚𝑎𝑑𝑒 𝑎 𝑔𝑜𝑜𝑑 𝑔𝑢𝑖𝑡𝑎𝑟," 𝐿𝑒𝑠 𝑃𝑎𝑢𝑙 𝑜𝑛𝑐𝑒 𝑠𝑎𝑖𝑑. 𝐴𝑛𝑑 𝑡ℎ𝑎𝑡 𝑎𝑓𝑡𝑒𝑟 𝑎𝑙𝑙, 𝑖𝑠 𝑤ℎ𝑎𝑡 𝑎𝑙𝑙 𝑚𝑢𝑠𝑖𝑐𝑖𝑎𝑛𝑠 𝑎𝑟𝑒 𝑙𝑜𝑜𝑘𝑖𝑛𝑔 𝑓𝑜𝑟.
Contrary to what some people might think, Epiphone is not one of the newer companies like Ibanez, Fender, B.C. Rich or Jackson. In fact, quite the opposite! The history of the (current) Gibson subsidiary goes back to the 19th century. Epiphone has been one of America's oldest and most revered instrument makers. Since 1873, The name Epiphone evokes both history and the spirit of invention.
𝗧𝗵𝗲 𝗛𝗼𝘂𝘀𝗲 𝗼𝗳 𝗦𝘁𝗮𝘁𝗵𝗼𝗽𝗼𝘂𝗹𝗼
The Epiphone founding father Anastasios Stathopoulo began to build various stringed instruments as early as 1873. Back then, however, no guitars, but lutes, violins and traditional Greek instruments such as the bouzouki. Just to put into context the other legendary competitor, Orville Gibson, started making instruments in 1894 and founded the company in 1902 as the Gibson Mandolin-Guitar Mfg. Co. Ltd. in Kalamazoo, Michigan, to make mandolin-family instruments.
Epiphone and the “House of Stathopoulo” has played a central role in every great musical era from the mandolin craze of the early 1900's to jazz age guitars of the 1920's; from swing era archtops through post-war pop, jazz, r&b, and early rock n' roll; and from the "British Invasion" to heavy metal, punk, grunge, and thrash.
The opening chapter of the Epiphone story begins about 149 years ago in Kastania in the mountains overlooking the ancient city of Sparta, Greece. Family legend tells that in 1865, Kostantinos Stathopoulo left Kastania and journeyed to Magoula in the Eurotas valley to register the birth of his son, Anastasios. Little else is known of the family until 1873, around the time of Anastasios's 12th birthday, when the Stathopoulo family left Greece for the coast of Asia Minor (modern day Turkey) where they settled in Smyrna, a bustling seaport with a strong Greek population of merchants and craftsmen.
There, Kostantinos established himself as a lumber merchant. Kostantinos would often take Anastasios with him on work trips throughout Europe, where the boy observed his father's trade and learned about tonewoods. During this time, the family established a store in Smyrna selling and repairing lutes, violins and bouzoukis. By 1890, Anastasio's local reputation as a talented, master luthier was providing enough business that he opened his own instrument factory. He married and started a family. His first son, Epaminondas, was born in 1893, followed by Alex, Minnie, Orpheu, Frixo and Ellie.
𝗧𝗼𝘂𝗴𝗵 𝘁𝗶𝗺𝗲𝘀 𝗮𝗵𝗲𝗮𝗱
The Hamidian massacres, also called the Armenian massacres, were massacres of Armenians and other Christians such as Greeks and Assyrians, in the Ottoman Empire between 1894-1897. This is the beginning of the greater Thirty Year Genocide of Christians that ends in 1924. This would also displace another legendary Armenian Cymbal making family as well, the Zildjians. That is another story though. Another event that would influence the Stathopoulo family would have been the Greco-Turkish War of 1897 known in Greece as the Black '97 fought between the Kingdom of Greece and the Ottoman Empire.
The immediate cause involved the status of the Ottoman province of Crete, whose Greek-majority population had long desired union with Greece. Despite the Ottoman victory on the field, an autonomous Cretan State under Ottoman suzerainty was established the following year. This was a result of the intervention of the Great Powers after the war.
The war put the military and political personnel of Greece to test in an official open war for the first time since the Greek War of Independence in 1821. For the Ottoman Empire, this was also the first war-effort to test a re-organized military system. These were dangerous times and crippled by High taxes imposed on Greek immigrants under the Ottoman Empire made life difficult for the Stathopoulo family and at the age of 40, Anastasios boarded a ship to the United States.
Going back to the Greek mainland would have been disastrous economically for them. The Macedonian Struggle (aim to liberate northern Greece from the Ottomans) and National Schism (conflict between Venizelists and monarchists) leading up to the Great War, between 1904-1922, would engulf Greece. In 1922, Smyrna would be destroyed and burned to the ground by the Turks. Anastasios saw the writing on the wall early on and sought asylum for his family in the United States.
𝗔𝗺𝗲𝗿𝗶𝗰𝗮, 𝗔𝗺𝗲𝗿𝗶𝗰𝗮…
First, they settled in Queens' Astoria/LIC setting up shop at 35-37M 36th Street. Later Public records from 1904 list A. Stathopoulo living at 56 Roosevelt on Manhattan's Lower East side, home to many other Greek and Italian immigrants. Once in America, Anastasios continued his instrument trade. He quickly assimilated the pace of American business practices. He filed his first and only patent March 25, 1909 for an Italian style bowl back mandolin. The "Stathopoulo House'' as Epi's Manhattan showroom was known, was a gathering place for the best musicians in the Big Apple.
Epi, as the oldest child was known, easily merged into American life, attended Columbia University, and graduated with honors. With Anastasios crafting and selling his instruments on the ground floor and family living upstairs, the line between work and home life became increasingly blurred. Epi and Orpheus ('Orphie') were soon helping out in the shop, now located at 247 West 42nd Street.
Epi was only 22 when his father Anastasios died in 1915. As the oldest son, Epi was charged with keeping the business going. Already a keen student of his father's work and eager to establish himself in the marketplace, Epi replaced the old instrument label of his father's with a new one: "The House of Stathopoulo, Quality Instruments Since 1873." Already an amateur designer and inventor during his apprenticeship, Epi now took a lead role in the company and was granted his first patent for a banjo tone ring and rim construction - 1,248,196 given to E. A. Stathopoulo.
At his mother's death in 1923, Epi assumed ownership of the controlling shares of the business and phased out most of the old world style mandolins. Instead, he introduced the Recording line of banjos, then the most popular instrument in post-World War I America.
*𝘦𝘱𝘪𝘱𝘩𝘰𝘯𝘶𝘴, 𝘦𝘱𝘪𝘱𝘩𝘰𝘯𝘪: 𝘴𝘦𝘤𝘰𝘯𝘥 𝘰𝘧 𝘵𝘸𝘰 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 𝘯𝘰𝘵𝘦𝘴 𝘢𝘯𝘥 𝘴𝘮𝘢𝘭𝘭𝘦𝘳 𝘵𝘩𝘢𝘯 𝘧𝘪𝘳𝘴𝘵
The Recording line was listed in advertisements alphabetically: Recording (A) at $125, the Bandmaster at $200, the Concert at $275, and the De Luxe, which sold for $350. Epi continued to expand as his business and reputation for quality work grew. The family acquired the "stock, goodwill, and modern machinery" of the Farovan Company instrument plant in Long Island and incorporated. Epi gave the now growing business a new name--Epiphone. “Epiphone” referenced not only his own name, but the Greek word for sound--phone. It was also an echo of the Greek word epiphonous, meaning one sound on another, the son building on the dreams of the father.
Epi took the title of president and general manager and announced in trade publications and advertisements that "the new policy of business and all interest will be devoted to the production of banjos, tenor banjos, banjo mandolins, banjo guitars, and banjo ukuleles under the registered trademark name of 'Epiphone.'"
Epi retained most of the Long Island factory's skilled workers. Production increased. Quality improved. One popular guitar model was even called "The Spartan Satin Blonde," a nod to their proud Peloponnesian roots.
By the mid '30s, Epiphone guitars were considered to be among the best in the world, and Epi himself was enjoying the patronage of the most respected players on the scene. Epiphone went inter-continental with a distribution deal with Handcraft Ltd. of London, and a new showroom opened at 142 West 14th Street in a seven-story beaux-arts style building near Little Italy.
The new building included an advertised "state-of-the-art" research and development laboratory. The Epiphone showroom on the first floor was both the company's headquarters and a hangout for musicians. On Saturday afternoons, Epi would open display cases and let the leading guitarists of the time, artists like Al Caiola, Harry Volpe, and Les Paul, jam as people listened by the sidewalk.
𝗘𝗮𝗿𝗹𝘆 𝗘𝗽𝗶𝗽𝗵𝗼𝗻𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗶𝗰 𝗚𝘂𝗶𝘁𝗮𝗿𝘀: 𝗧𝗵𝗲 𝗘𝗹𝗲𝗰𝘁𝗮𝗿 𝗦𝗲𝗿𝗶𝗲𝘀
In 1935, Epiphone announced their first electric guitars with the “Electar” models (originally known as Electraphone). These were based heavily on the first Rickenbacker guitars from 1932. Initially, large magnetic blocks were used as pickups, which as a rule did not really transmit the sound of the individual strings evenly. To prevent this problem, Epiphone introduced the “Master Pickup” in 1937 – the world’s first pickup with individually adjustable pole pieces.
In addition to the newly developed pickup, a first, fairly simple, tone control was also introduced. And in the same year, the famous Frequensator Tailpiece was created, which is still widely used today and has had a lasting influence on the designs of many other companies.
𝗜𝗻𝗰𝘂𝗿𝘀𝗶𝗼𝗻 𝗶𝗻𝘁𝗼 𝗮𝗺𝗽𝗹𝗶𝗳𝗶𝗲𝗿𝘀
Epiphone also began selling amps after meeting electronics enthusiast Nat Daniel, a friend of Les Paul. Daniel perfected an innovative push / pull cabling design, which is now an accessory on many amplifiers. Epiphone reps listened to Daniel’s amps an adhered him to build chassis and new designs. Years later, in the 50's Daniel would start the Danelectro line of guitars and amplifiers in the 50’s.
𝗘𝗽𝗶’𝘀 𝗱𝗲𝗮𝘁𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗰𝗼𝗻𝘀𝗲𝗾𝘂𝗲𝗻𝗰𝗲𝘀 𝗳𝗼𝗿 𝗘𝗽𝗶𝗽𝗵𝗼𝗻𝗲
During the Second World War (June 6, 1943) Epaminondas died of leukemia. As a result, his two little brothers, Orphie and Frixo, took over the company. Orphie eventually sold the company in the fifties to Gibson. In 1957, Gibson finally took over Epiphone and re-introduced the line and a new era emerged. Epiphone through Gibson is stronger than ever and the legacy of the House of Stathopoulo lives on.
𝗟𝗶𝘀𝘁 𝗼𝗳 𝗳𝗮𝗺𝗼𝘂𝘀 𝗘𝗽𝗶𝗽𝗵𝗼𝗻𝗲 𝗽𝗹𝗮𝘆𝗲𝗿𝘀
Epiphone was one of the biggest brands in the early acoustic and electric guitar years in America. Along with Gibson, they were the most recognized and coveted brands of guitars. The variety of musicians that traverse the history of Epiphone is remarkable and extensive. Jazz greats like George Van Eps, country pioneers like Hank Garland, bluesman John Lee Hooker, and scores of mandolin, archtop and steel guitar players used Epiphone instruments daily over nationwide broadcasts. There are unlikely heroes and tinkerers in the Epiphone story too, like guitar pioneer Les Paul, who worked nights in the Epiphone factory in New York City to create "the Log", his primordial version of what would eventually be called the "Les Paul." Another notable player is Django Reinhart.
The Beatles' bassist extraordinaire Paul McCartney chose an Epiphone Casino as his first American made guitar and John Lennon and George Harrison quickly followed. The Casino appeared on every Beatles album from Help through Abbey Road. The Peter Frampton Les Paul Custom was used in Frampton Comes Alive which is among the best-selling live records in history, and even today many of the tracks are staples of classic rock radio. Keith Richards also used a Casino and Blues great B.B. King used a signature model in the eighties.
And today, Epiphone can be heard on albums by Gary Clark, Jr., Alabama Shakes, My Chemical Romance, Joe Bonamassa, Nirvana, Johnny Winter, Zakk Wylde, Machine Head, Dwight Yoakam, The Strokes, Trent Reznor, Slash, Jeff Waters, Paul Simon, Radiohead, The Waco Brothers, Lenny Kravitz, Nancy Wilson, and Paul Weller. And many more metal guitarists from Trivium and In Flames, to Tommy Thayer, Mathias Jabs from Scorpions, Tony Iommi, Alex Lifeson from Rush, Twister Sister's Jay Jay French, Ace Frehley from Kiss, Richie Faulkner from Judas Priest also use Epiphone models.
The story behind Epiphone's improbable rise from a small Greek family repair shop to a worldwide leader in the manufacture of quality instruments could easily be transformed into the great American novel. But this story is true. The Ottoman Empire's loss was America's musical gain.
Who knows? Perhaps my own grandfather jammed at some point with Anastasios. What I do know is that this guitar influenced my life. I even created a Rock Opera that premiered at Carnegie Hall and Off Broadway called “Anna and Vladimir.” A historical Byzantine epic! All inspired from that first power chord and lots of practice, practice, practice.
You can learn more about our Rock Opera and not-profit here http://porphyrafoundation.org/rock-opera/
Our exclusive story of the Armenian master Cymbal maker Zildjian, will follow next. So stay tuned and like and share our page!
#epiphoneguitars #Gibson #Zildjian #GreekAmericans #ChristianGenocide #Electricguitar #HeavyMetal #Rock #Jazz #Bouzouki #HouseofStathopoulo #Porphyra #PhoenixReign #TheBeatles #HellenicHistorySeries #PorphyraFoundation
Feel free to read more on this fascinating subject from the following sources and links:
Epiphone website:
https://www.epiphone.com/en-US/History
Sam Ash website:
https://www.samash.com/spotlight/the-house-stathopoulo-built
Buy the book!
EPIPHONE: THE HOUSE OF STATHOPOULO, by Jim Fisch & L.B. Fred - 1996
https://www.panoplybooks.com/epiphone-the-house-of-stathop…/
Plenty of pics here: https://dutcharchtopguitarmuseum.nl/epiphone-collection/
More of interest:
https://guitarriego.com/…/history-of-epiphone-guitars-secr…/
And here:
https://legendary-guitars.com/…/the-legendary-epiphone-gui…/
And here:
http://jwguitarworks.blogspot.com/…/1937-1940-epiphone-zeni…
And here:
http://www.electricguitarsetup.com/Epiphone.html
List of famous Epiphone players here:
https://en.wikipedia.org/wiki/List_of_Epiphone_players#B
#Epiphone Facebook site:
https://www.facebook.com/100044595152085/posts/491161772380324/?d=n
Buy your own Epiphone original instrument here:
Vintage House of Stathopoulo Made in New York 1924 Greek Lute For Repair 1924 https://reverb.com/…/29356900-vintage-house-of-stathopoulo-…
Learn about the 30 year Christian Genocide between 1894-1924 here: https://www.google.com/…/The_Thirty_Year_Geno…/THSPDwAAQBAJ…
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Billy Chrissochos and his first electric guitar, the white solid bodied Epiphone by Gibson.
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1936 advertising campaign featuring a
nude woman holding an Epiphone archtop.
Innovative guitars and advertising. |
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| The Spartan Satin Blonde! |
