The German composer Max Reger (1873–1916) was a transitional figure between the Romantic and the modern eras, but had a strong sense of the Germanic musical tradition. Embracing that musical heritage, his Variations and Fugue employ a theme from one of Mozart’s most beloved piano sonatas, the A major K.331. Reger’s best-known work, this elaborate, rhapsodic piece dates from 1914.
The Piano Concerto No. 2 by Franz Liszt—whose bicentennial is being celebrated in 2011—has a complicated origin, having been edited and revised over a period of more than 20 years until its final version was completed in 1861. A single, extended movement in six sections, the 20-minute concerto is less overtly virtuosic that the Concerto No. 1 and much of the composer’s solo compositions, but it displays a more innovative structure and a more original, organic partnership between soloist and orchestra.
A legendary orchestral showpiece and one of the most widely recognized works in the orchestral canon, Ravel’s Bolero is a peculiarly single-minded one-movement work originally written as ballet music, to which Ida Rubinstein choreographed an erotic dance scene in a seedy bar. In the simplest terms, Bolero is a single, prolonged crescendo, adding volume and instruments slowly but surely until it reaches its final, ecstatic climax.
RADIO BROADCASTS AND STREAMING
BSO concerts are broadcast regularly by 99.5 All-Classical, a service of WGBH. Saturday-evening concerts can be heard live on 99.5 FM, on HD radio at 89.7 HD2, and online at 995allclassical.org (http://995allclassical.org). Broadcasts begin with exclusive features and interviews at 7 p.m., followed by the concert at 8 p.m.
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου