Sacro-Profanum Florilegium
{a bouquet of sacred & secular music}
(tickets here: bit.ly/florilegium)
Os Orphicum brings to you a taste of what baroque music-making may have felt like to the ones privileged enough to experience it first-hand:
Chamber music, made at a hand's breadth from the audience; in the same space, players and listeners seeming almost to merge. Concerto movements are interchanged with sonatas and arias to make a dynamic and varied whole. A beautiful solo or a fiery ensemble finale might –within the same piece– excite comment, or even spontaneous applause!
Church music, played and sung from the imposing height of the organ loft, asks for silent contemplation – though if the music is made as it was meant to around 1700, it should arouse the passions of the audience just as much as chamber music, if not more...
{J·S·Bach}
• "Der Herr segne euch" BWV 196
• Concerto à Cembalo concertato &c. BWV 1054
• "Bekennen will ich seinen Namen" BWV 200
{G·F·Handel}
• Organ Concerto HWV 289
{F·Geminiani}
• Sonate pour le Violoncelle et Basse Continue Op. 5 No. 2
{Os Orphicum}
Andrea Tjäder • soprano
Sophia Patsi • alto
Hidde Kleikamp • tenore
Yonathan van den Brink • basso
Noyuri Hazama • violino I
Agnieszka Papierska • violino II
Zdenka Prochazkova • viola
George Ross • violoncello
Edoardo Valorz • cembalo & organo
Iason Marmaras • tenore, cembalo, organo & direzione
{a bouquet of sacred & secular music}
(tickets here: bit.ly/florilegium)
Os Orphicum brings to you a taste of what baroque music-making may have felt like to the ones privileged enough to experience it first-hand:
Chamber music, made at a hand's breadth from the audience; in the same space, players and listeners seeming almost to merge. Concerto movements are interchanged with sonatas and arias to make a dynamic and varied whole. A beautiful solo or a fiery ensemble finale might –within the same piece– excite comment, or even spontaneous applause!
Church music, played and sung from the imposing height of the organ loft, asks for silent contemplation – though if the music is made as it was meant to around 1700, it should arouse the passions of the audience just as much as chamber music, if not more...
{J·S·Bach}
• "Der Herr segne euch" BWV 196
• Concerto à Cembalo concertato &c. BWV 1054
• "Bekennen will ich seinen Namen" BWV 200
{G·F·Handel}
• Organ Concerto HWV 289
{F·Geminiani}
• Sonate pour le Violoncelle et Basse Continue Op. 5 No. 2
{Os Orphicum}
Andrea Tjäder • soprano
Sophia Patsi • alto
Hidde Kleikamp • tenore
Yonathan van den Brink • basso
Noyuri Hazama • violino I
Agnieszka Papierska • violino II
Zdenka Prochazkova • viola
George Ross • violoncello
Edoardo Valorz • cembalo & organo
Iason Marmaras • tenore, cembalo, organo & direzione
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